Avolites Tiger Touch II Lighting Control Console Tour Package Power and Precision

If you are planning a tour and want your lighting to look like a million dollars without burning through your entire budget, an Avolites Tiger Touch II lighting control console tour package might be the smartest upgrade you can make this year. With the right package and workflow, you can step into any venue, hook into the rig in minutes, and deliver a polished, dynamic show that looks like it took days to program even when you only had a short soundcheck.

This article walks you through how to get the most out of an Avolites Tiger Touch II lighting control console tour package, from what to include in the package itself to real-world programming strategies, networking best practices, and on-the-road survival tactics. Whether you are a touring LD, a rental company tech, or a production manager trying to standardize your lighting control, you will find practical, immediately usable guidance here.

Understanding the Avolites Tiger Touch II Lighting Control Console Tour Package Concept

Before you start building or renting a package, it helps to clarify what the phrase "Avolites Tiger Touch II lighting control console tour package" really implies. It is not just a console in a box; it is a complete, road-ready control ecosystem designed to be deployed quickly and repeatedly in different venues.

At its core, this type of tour package is built around these goals:

• Consistency from show to show – Your looks, palettes, and playback structure remain familiar, even when the rig changes.
• Speed of deployment – You can roll the package into a venue, plug into power and data, and be ready to operate in minimal time.
• Reliability on the road – Every component is protected, labeled, and tested for the repeated abuse of touring.
• Scalability – The same package can run a small club rig one night and a festival rig the next, just by adjusting patch and showfile elements.

Thinking of the Avolites Tiger Touch II lighting control console tour package as a system rather than a single device is the first step toward building something that truly supports your creative and logistical needs on tour.

Core Components of a Professional Tour-Ready Package

A well-designed Avolites Tiger Touch II lighting control console tour package typically includes far more than the console itself. The exact components will depend on your scale and budget, but the following elements form a solid foundation.

1. The Console and Control Surface

The console is the heart of the package. It provides physical faders, playback buttons, a touchscreen interface, and encoder wheels to control every aspect of your rig. When planning for touring, consider:

• Physical protection – A custom flight case with foam cutouts, secure latches, and space for accessories.
• Ergonomics – Height, angle, and workspace around the console when placed on a table or stand in various venues.
• Visibility – Screen brightness, viewing angle, and the ability to add external monitors if needed.

2. Processing and Output Infrastructure

Most touring shows require multiple universes of DMX or networked lighting protocols. A complete package often includes:

• DMX output nodes for distributing control data to dimmers and fixtures.
• Network switches configured for lighting protocols, with clear labeling and pre-made settings.
• Backup output paths so that if a node fails, another can take over with minimal disruption.

Housing these components in a dedicated rack keeps them protected and ensures that your wiring is consistent from show to show.

3. Power Management

Reliable power is critical. Your Avolites Tiger Touch II lighting control console tour package should include:

• Power distribution units with surge protection and clearly labeled outputs for console, network devices, and accessories.
• Uninterruptible power supplies (UPS) to protect against brownouts or sudden power loss during a show.
• Appropriate cabling and adapters for different regions, if you are touring internationally.

A UPS is especially valuable, as it can give you time to save your show and safely shut down in the event of a power failure.

4. Networking and Data Distribution

Modern lighting rigs often rely on networked control. In a robust package, you will typically find:

• Managed network switches preconfigured for lighting data.
• Pre-labeled network cables in various lengths.
• Network patch panels on the front of the rack for quick connection to house systems.

By standardizing your network design, you reduce setup time and minimize the risk of mispatching in the rush of load-in.

5. Backup and Redundancy Elements

A professional Avolites Tiger Touch II lighting control console tour package must anticipate failures. Consider including:

• A backup console or software-based controller that can take over show control quickly.
• Redundant network paths where possible.
• Spare DMX nodes, power supplies, and critical cables.

Redundancy is not a luxury on tour; it is an insurance policy against lost shows and damaged reputations.

6. Physical Infrastructure and Flight Cases

The best electronics are useless if they arrive damaged. Build your package around:

• Custom flight cases for the console, racks, and accessories.
• Shock-absorbing mounts for racks carrying sensitive electronics.
• Integrated cable management so that critical leads are stored safely and accessibly.

Each case should be labeled with contents, weight, and handling instructions to speed up load-in and reduce the risk of mishandling.

Designing a Flexible Showfile for Touring

Hardware is only half of what makes an Avolites Tiger Touch II lighting control console tour package effective. The other half lives inside the console: your showfile. A well-constructed showfile lets you adapt to different rigs quickly without sacrificing your design style.

Building a Rig-Independent Programming Structure

To survive different venues and festival rigs, your programming should be as rig-independent as possible. That means:

• Using palettes extensively for position, color, gobo, beam, and intensity.
• Creating groups that represent fixture types and roles rather than specific physical positions.
• Separating base looks from special effects so you can swap fixtures without rewriting everything.

When you arrive at a new venue, you patch the local fixtures to your existing groups and palettes, re-focus your key positions, and most of your show will fall into place.

Palette Strategy for Fast Re-Focus

A strong palette strategy is essential. Consider these guidelines:

• Create core position palettes such as lead vocal, center stage, drum riser, keyboard, downstage wash, and audience.
• Build color palettes around a limited, coherent palette of hues you actually use in your design.
• Organize gobo and beam palettes by function: soft texture, hard texture, aerial beam, breakup, etc.

On a new rig, you only need to update these palettes. Your cues and chases will automatically update to match the new fixture positions and colors.

Playback Structure for Different Show Types

Your Avolites Tiger Touch II lighting control console tour package will likely be used for different kinds of shows: fully timecoded, busked, or a hybrid approach. Design your playback structure so it can handle all three.

• For timecoded shows, reserve a bank of faders and executors for linear cue stacks synced to audio or video.
• For busked shows, dedicate faders to base looks, color overrides, movement effects, and strobe or blinder hits.
• For hybrid shows, combine both approaches: timecoded cues for key songs and manual playbacks for improvisational sections.

Label everything clearly on the console and in your documentation so that any operator stepping in at short notice can understand the structure.

Version Control and Showfile Management

On tour, your showfile is constantly evolving. To avoid confusion and data loss:

• Use clear naming conventions with dates and venue or leg identifiers.
• Maintain a master showfile and a separate tour showfile for each leg of the tour.
• Back up to multiple locations: USB drives, external SSDs, and secure cloud storage where possible.

Regularly pruning old versions and documenting changes helps you stay in control of your programming even after dozens of shows.

Networking, Integration, and Data Flow on Tour

Modern touring productions demand more than simple DMX daisy chains. Your Avolites Tiger Touch II lighting control console tour package should be designed to plug into a wide variety of house systems and festival networks without drama.

Standardized Network Topology

Start by defining a standard topology for your tour:

• Console network port connects to a primary lighting switch in your rack.
• Output nodes connect to that same switch, each handling a defined set of universes.
• House or festival network connects via a labeled trunk port with agreed settings.

Document this topology in a simple diagram and keep printed copies in your rack. This makes it much easier to communicate with local crews and troubleshoot under time pressure.

Integrating with House and Festival Systems

When you roll into a festival or venue with an existing network, you need to be able to integrate smoothly:

• Agree on universe assignments in advance whenever possible.
• Use clearly labeled IP ranges and avoid overlapping with house ranges.
• Keep pre-configured profiles on your console for common scenarios, such as "festival mode" or "house rig only".

Flexibility and communication are key. The more prepared your Avolites Tiger Touch II lighting control console tour package is for different network environments, the smoother your days will be.

Monitoring and Diagnostics

To keep your show running smoothly, build monitoring tools into your workflow:

• Use the console’s output monitors to verify data on each universe.
• Keep a simple network diagnostic tool or laptop in your rack to check connectivity.
• Label key network ports with LED indicators where possible so you can see activity at a glance.

Fast diagnostics can be the difference between a minor hiccup during line check and a serious delay at showtime.

Redundancy and Failover Strategies

No matter how carefully you prepare, things can and will go wrong on tour. A resilient Avolites Tiger Touch II lighting control console tour package includes clear strategies for dealing with failures.

Console Redundancy

There are several approaches to console redundancy:

• Hot backup console – A second console connected to the network, ready to take over output if the main console fails.
• Tracking backup – A secondary device that mirrors the main console’s output, switching seamlessly if needed.
• Emergency showfile – A simplified showfile on a smaller controller that can run a basic version of the show.

Choose the approach that fits your budget and risk tolerance, but always have a plan that everyone on the crew understands.

Data Path Redundancy

Beyond the console itself, consider:

• Redundant network switches or at least spare units ready to deploy.
• Alternative DMX lines to critical trusses or positions.
• Spare output nodes pre-configured and labeled.

Even a simple backup DMX run to a crucial part of the rig can save a show if a node fails mid-performance.

Power and Environmental Protection

Power problems and environmental conditions can be just as dangerous as network failures:

• Use UPS units not just on the console but also on critical network gear.
• Protect racks and cases from moisture, dust, and temperature extremes during transport and on site.
• Include ventilation and cooling solutions for racks that generate heat.

Regularly checking the physical condition of your package is as important as maintaining the software and showfile.

Workflow and Programming Techniques for Touring LDs

The Avolites Tiger Touch II lighting control console tour package is only as powerful as the workflow you adopt. Efficient programming and operation can make the difference between a chaotic day and a smooth, creative experience.

Pre-Production and Visualizer Work

Before the tour starts, invest time in pre-production:

• Build your base showfile in a visualizer, using representative fixtures and positions.
• Program song structures, cue lists, and base looks as far as possible.
• Test your playback layout to ensure that everything you need is within easy reach during the show.

The more work you do in pre-production, the more time you will have on tour to refine and adapt rather than build from scratch.

Efficient Use of Palettes and Macros

Palettes are not just for positions and colors. You can use them, along with macros, to speed up repetitive tasks:

• Create focus macros that automatically select groups and open position palettes for quick updating.
• Use intensity and effect palettes to standardize commonly used looks across different songs.
• Build maintenance macros for tasks like clearing programmer, saving show, or switching between pages.

Small time savings during programming add up, especially when you are working under tight schedules during a tour.

Busking Strategies for Dynamic Shows

Many tours involve a mix of tightly structured songs and improvisational sections. For the latter, busking skills are essential.

• Dedicate faders to base looks that you can layer and blend.
• Use flash buttons for strobes, blinders, and key accent hits.
• Maintain color and movement override playbacks that can instantly change the mood without disrupting the base look.

Practice your busking approach in rehearsal so that by the time you hit the road, your hands know where everything is without you needing to think about it.

Timecoding and Synchronization

For shows that rely heavily on timecode, your Avolites Tiger Touch II lighting control console tour package should include a clear synchronization strategy:

• Decide on the timecode source (audio playback, video server, or dedicated generator).
• Standardize start times and cue markers for each song.
• Test failover behavior if timecode drops during a show.

Documenting your timecode workflow and sharing it with audio and video departments prevents surprises and ensures that everyone is aligned.

Logistics, Transport, and On-Site Setup

Even the best-designed Avolites Tiger Touch II lighting control console tour package can cause headaches if it is not easy to move and set up. Logistics should be part of your design from the beginning.

Case Design and Labeling

Thoughtful case design saves time and reduces damage:

• Ensure each case has clear labeling on multiple sides.
• Include packing diagrams inside the lids showing where everything goes.
• Use color-coding or numbering systems to indicate load-in priority.

When local crews understand what each case is for and how it should be handled, your setup becomes faster and safer.

Standardized Setup Procedure

Create a simple, repeatable setup procedure that any competent crew can follow:

1. Position console and racks at front-of-house or control position.
2. Connect power to racks and console, verify voltage and phase if necessary.
3. Run network and DMX lines to stage and house systems.
4. Boot console and check network and output status.
5. Load the appropriate showfile version for the day’s rig.
6. Perform patch verification and basic fixture tests.

Having this procedure printed and stored in the rack helps new crew members integrate quickly and reduces the chance of missing a critical step.

Documentation and Communication

Good documentation is one of the most underrated parts of a successful tour package:

• Maintain a technical rider that describes your power, network, and rigging requirements.
• Keep an up-to-date patch list and universe map.
• Include a troubleshooting guide for common issues.

Sharing these documents with local crews and production managers in advance makes load-in smoother and reduces on-site confusion.

Training, Crew Roles, and Operational Consistency

A well-built Avolites Tiger Touch II lighting control console tour package is only as effective as the people using it. Training and clear crew roles ensure consistent results from show to show.

Operator Training and Familiarization

Anyone who might operate the console should be familiar with:

• The basic layout of the console surface and playbacks.
• The showfile structure, including groups, palettes, and cue stacks.
• Basic troubleshooting steps for network, DMX, and power issues.

Short, focused training sessions during rehearsals go a long way toward preventing mistakes under show conditions.

Defining Crew Responsibilities

On a touring production, clarity of roles saves time and reduces friction:

• The lighting director concentrates on programming and show operation.
• The lighting technician or systems tech handles physical setup, networking, and troubleshooting.
• The production manager coordinates with the venue and ensures that the technical rider is met.

When everyone knows their responsibilities, the Avolites Tiger Touch II lighting control console tour package becomes a tool that supports the entire team rather than a source of confusion.

Maintaining and Evolving Your Tour Package

A tour is a living project. As you progress, you will discover ways to improve both your hardware and your programming. Treat your Avolites Tiger Touch II lighting control console tour package as a long-term investment that can grow with you.

Regular Maintenance and Checks

Build maintenance into your schedule:

• Perform visual inspections of cables, connectors, and cases at least once a week.
• Test backup systems periodically to ensure they still work as expected.
• Update firmware and software only after testing in a safe environment, not on show day.

Preventive maintenance is far less disruptive than emergency repairs during a tight turnaround.

Refining Programming Over the Tour

As you see the show in different venues, you will notice opportunities to refine your design:

• Adjust looks and palettes to work better in small rooms or large arenas.
• Optimize busking playbacks based on what you actually use night after night.
• Streamline timecoded sequences to improve timing and impact.

Keep a simple change log so you can track what you have altered and roll back if necessary.

Planning for Future Tours and Upgrades

As your production grows, your needs will evolve. When you design your Avolites Tiger Touch II lighting control console tour package, think ahead:

• Choose modular racks and cases that can accept additional nodes or switches.
• Leave spare network capacity for extra universes or future fixtures.
• Document your current system so you can build on it rather than starting over.

This forward-looking approach protects your investment and ensures you are ready when the opportunity arises to step up to larger tours or more complex productions.

When you combine a thoughtfully assembled Avolites Tiger Touch II lighting control console tour package with smart programming, clear documentation, and a disciplined workflow, you create a touring control system that does far more than just turn lights on and off. It becomes the backbone of a visual experience that can adapt to any venue, withstand the rigors of the road, and consistently deliver the kind of shows that audiences remember long after the last encore. If you are serious about elevating your touring productions, building or refining this kind of package is one of the most effective moves you can make.